<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>La frimeuse &#187; onlinemagazinelafrimeuse</title>
	<atom:link href="http://www.lafrimeuse.com/en/tag/onlinemagazinelafrimeuse/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.lafrimeuse.com</link>
	<description>  Bienvenue to online magazine about Design, Art, Lifestyle &#38; Culture. Pure aestheticism, nothing more.</description>
	<lastBuildDate>Fri, 02 Aug 2024 20:58:24 +0000</lastBuildDate>
	<language>en-GB</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>https://wordpress.org/?v=4.2.21</generator>
<xhtml:meta xmlns:xhtml="http://www.w3.org/1999/xhtml" name="robots" content="noindex" />
	<item>
		<title>Goddess and biomechanical horse on the Olympic Games 2024</title>
		<link>http://www.lafrimeuse.com/en/goddess-and-biomechanical-horse-on-the-olympic-games-2024/</link>
		<comments>http://www.lafrimeuse.com/en/goddess-and-biomechanical-horse-on-the-olympic-games-2024/#comments</comments>
		<pubDate>Thu, 01 Aug 2024 10:13:52 +0000</pubDate>
		<dc:creator><![CDATA[Katrina Wietwi (Mungalova)]]></dc:creator>
				<category><![CDATA[inspirations]]></category>
		<category><![CDATA[when design inspires]]></category>
		<category><![CDATA[artjournal]]></category>
		<category><![CDATA[AtelierBlam]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[JeanneFriot]]></category>
		<category><![CDATA[jo2024]]></category>
		<category><![CDATA[lafrimeuse]]></category>
		<category><![CDATA[OlympicGames]]></category>
		<category><![CDATA[onlinemagazinelafrimeuse]]></category>
		<category><![CDATA[Paris2024]]></category>
		<category><![CDATA[Sequana]]></category>
		<category><![CDATA[ThomasJolly]]></category>
		<category><![CDATA[whendesigninspires]]></category>

		<guid isPermaLink="false">http://www.lafrimeuse.com/?p=9143</guid>
		<description><![CDATA[The opening ceremony of the 2024 Olympic Games was controversial, but it was certainly not boring. The episode with the appearance of the goddess Sequana, The Seine is named after Sequana, the goddess of water in Gallo-Celtic mythology, caused mixed impressions. Let&#8217;s figure it out? The ancient Gauls considered the lands around the source of [&#8230;]]]></description>
		<wfw:commentRss>http://www.lafrimeuse.com/en/goddess-and-biomechanical-horse-on-the-olympic-games-2024/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>From the heart to the hands: Dolce&amp;Gabbana</title>
		<link>http://www.lafrimeuse.com/en/from-the-heart-to-the-hands-dolcegabbana/</link>
		<comments>http://www.lafrimeuse.com/en/from-the-heart-to-the-hands-dolcegabbana/#comments</comments>
		<pubDate>Sun, 23 Jun 2024 15:55:09 +0000</pubDate>
		<dc:creator><![CDATA[Katrina Wietwi (Mungalova)]]></dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[art news]]></category>
		<category><![CDATA[art object]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[inspirations]]></category>
		<category><![CDATA[style]]></category>
		<category><![CDATA[Artists]]></category>
		<category><![CDATA[brand]]></category>
		<category><![CDATA[chic]]></category>
		<category><![CDATA[Designer]]></category>
		<category><![CDATA[Dolce&Gabbana]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[exposition]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[hautecouture]]></category>
		<category><![CDATA[history of costume]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Italian]]></category>
		<category><![CDATA[Italianculture]]></category>
		<category><![CDATA[lafrimeuse]]></category>
		<category><![CDATA[Milan]]></category>
		<category><![CDATA[onlinemagazinelafrimeuse]]></category>
		<category><![CDATA[Palazzo Reale]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://www.lafrimeuse.com/?p=9026</guid>
		<description><![CDATA[The exhibition of one of the most famous creative duos in the world of fashion is held from April 7 to July 31 at the Palazzo Reale in Milan. The exposition presents an almost immersive show to the audience, the visitor is practically not allowed to get distracted or bored, he is led from room [&#8230;]]]></description>
		<wfw:commentRss>http://www.lafrimeuse.com/en/from-the-heart-to-the-hands-dolcegabbana/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Visions and Ecstasies in Art of the XVII century</title>
		<link>http://www.lafrimeuse.com/en/visions-and-ecstasies-in-art-of-the-xvii-century/</link>
		<comments>http://www.lafrimeuse.com/en/visions-and-ecstasies-in-art-of-the-xvii-century/#comments</comments>
		<pubDate>Mon, 07 Aug 2023 12:03:07 +0000</pubDate>
		<dc:creator><![CDATA[Katrina Wietwi (Mungalova)]]></dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[Albert Einstein]]></category>
		<category><![CDATA[art history]]></category>
		<category><![CDATA[arthistory]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[artjournal]]></category>
		<category><![CDATA[artwork]]></category>
		<category><![CDATA[Bernini]]></category>
		<category><![CDATA[borderline]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[Dali]]></category>
		<category><![CDATA[Dmitry Mendeleev]]></category>
		<category><![CDATA[dreaming]]></category>
		<category><![CDATA[Ecstasy of St Teresa]]></category>
		<category><![CDATA[ekaterinamoong]]></category>
		<category><![CDATA[history of art]]></category>
		<category><![CDATA[hypnagogic state]]></category>
		<category><![CDATA[hypnagogy]]></category>
		<category><![CDATA[image]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[la frimeuse]]></category>
		<category><![CDATA[lafrimeuse]]></category>
		<category><![CDATA[Lanfranco]]></category>
		<category><![CDATA[Lorenzo Bernini]]></category>
		<category><![CDATA[Masterpiece]]></category>
		<category><![CDATA[Niels Bohr]]></category>
		<category><![CDATA[onlinemagazinelafrimeuse]]></category>
		<category><![CDATA[painter]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[scientist]]></category>
		<category><![CDATA[sculpture]]></category>
		<category><![CDATA[style]]></category>
		<category><![CDATA[The Ecstasy of St Margaret of Cortona]]></category>
		<category><![CDATA[unconsciousness]]></category>
		<category><![CDATA[visions]]></category>

		<guid isPermaLink="false">http://www.lafrimeuse.com/?p=8987</guid>
		<description><![CDATA[The theme of appearing visions on the edge of dreaming and wakefulness has long occupied the minds of mankind. In these transitional moments, a person can come to an insight not only how to solve some long-thinking task, an unexpected artistic image or plot, or motive of a music , but also visual and even [&#8230;]]]></description>
		<wfw:commentRss>http://www.lafrimeuse.com/en/visions-and-ecstasies-in-art-of-the-xvii-century/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>«Big clay No. 4» Urs Fischer concept sculpture was installed in Moscow</title>
		<link>http://www.lafrimeuse.com/en/big-clay-no-4-urs-fischer-concept-sculpture-was-installed-in-moscow/</link>
		<comments>http://www.lafrimeuse.com/en/big-clay-no-4-urs-fischer-concept-sculpture-was-installed-in-moscow/#comments</comments>
		<pubDate>Wed, 01 Sep 2021 10:17:23 +0000</pubDate>
		<dc:creator><![CDATA[Katrina Wietwi (Mungalova)]]></dc:creator>
				<category><![CDATA[art news]]></category>
		<category><![CDATA[art object]]></category>
		<category><![CDATA[aluminum]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[BigClay]]></category>
		<category><![CDATA[co]]></category>
		<category><![CDATA[Conceptual art]]></category>
		<category><![CDATA[contemporary art]]></category>
		<category><![CDATA[lafrimeuse]]></category>
		<category><![CDATA[monument]]></category>
		<category><![CDATA[Moscow]]></category>
		<category><![CDATA[onlinemagazinelafrimeuse]]></category>
		<category><![CDATA[sculpture]]></category>
		<category><![CDATA[UrsFischer]]></category>

		<guid isPermaLink="false">http://www.lafrimeuse.com/?p=8891</guid>
		<description><![CDATA[People seem to fear art. Art has always been a word for this thing that can’t be rationalized; when you see or hear something that you struggle to explain. But that’s its strength, of course, that’s what the word “art” is for. —Urs Fischer The conceptual work of the Swiss artist Urs Fischer, who lives [&#8230;]]]></description>
		<wfw:commentRss>http://www.lafrimeuse.com/en/big-clay-no-4-urs-fischer-concept-sculpture-was-installed-in-moscow/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sensuality and expression of the polish poster</title>
		<link>http://www.lafrimeuse.com/en/sensuality-and-expression-of-the-polish-poster/</link>
		<comments>http://www.lafrimeuse.com/en/sensuality-and-expression-of-the-polish-poster/#comments</comments>
		<pubDate>Mon, 09 Nov 2020 06:43:41 +0000</pubDate>
		<dc:creator><![CDATA[Greg Arszanski]]></dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[inspirations]]></category>
		<category><![CDATA[artjournal]]></category>
		<category><![CDATA[contemporary art]]></category>
		<category><![CDATA[Czerniawski Jerzy]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[ekaterinamoong]]></category>
		<category><![CDATA[graphic design]]></category>
		<category><![CDATA[illustration]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[lafrimeuse]]></category>
		<category><![CDATA[Mieczysław Wasilewski]]></category>
		<category><![CDATA[movie poster]]></category>
		<category><![CDATA[onlinemagazinelafrimeuse]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[polish poster]]></category>
		<category><![CDATA[Rafał Olbiński]]></category>
		<category><![CDATA[Sadowski Wiktor]]></category>
		<category><![CDATA[Stasys Eidrigevicius]]></category>
		<category><![CDATA[theater poster]]></category>
		<category><![CDATA[Waldemar Świerzy]]></category>
		<category><![CDATA[постер]]></category>

		<guid isPermaLink="false">http://www.lafrimeuse.com/?p=8365</guid>
		<description><![CDATA[A Polish poster is not even exactly a poster, and not as something utilitarian, advertising or propaganda.  In Polish culture, and now in world culture,it is a part of art, closely associated with theater and cinema.  Namely, with these artworks begin the bewitching path of the viewer to stage action. 1.Ryszard Kaja, Viva Diva, poster [&#8230;]]]></description>
		<wfw:commentRss>http://www.lafrimeuse.com/en/sensuality-and-expression-of-the-polish-poster/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Five design things of this week #19</title>
		<link>http://www.lafrimeuse.com/en/five-design-things-of-this-week-19/</link>
		<comments>http://www.lafrimeuse.com/en/five-design-things-of-this-week-19/#comments</comments>
		<pubDate>Wed, 04 Nov 2020 19:17:08 +0000</pubDate>
		<dc:creator><![CDATA[Katrina Wietwi (Mungalova)]]></dc:creator>
				<category><![CDATA[5 things of this week]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[art object]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[artjournal]]></category>
		<category><![CDATA[contemporary art]]></category>
		<category><![CDATA[décor]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[design of furniture]]></category>
		<category><![CDATA[ekaterinamoong]]></category>
		<category><![CDATA[ekaterinamungalova]]></category>
		<category><![CDATA[Five things of the week]]></category>
		<category><![CDATA[furniture design]]></category>
		<category><![CDATA[graphic design]]></category>
		<category><![CDATA[image]]></category>
		<category><![CDATA[interior design]]></category>
		<category><![CDATA[lafrimeuse]]></category>
		<category><![CDATA[onlinemagazinelafrimeuse]]></category>
		<category><![CDATA[Savonarola]]></category>
		<category><![CDATA[Savonarola chair]]></category>
		<category><![CDATA[Steen Ipsen]]></category>
		<category><![CDATA[style]]></category>

		<guid isPermaLink="false">http://www.lafrimeuse.com/?p=8697</guid>
		<description><![CDATA[The last month of the autumn&#8230; I won’t write of some splin, nostalgia , of politics or virus, “that haunting the planet” and etc. let’s think positively. Let&#8217;s disperse the frown around with bright spots or graphic contrasting ones or all together and mix futuristic forms with classicism, conceptual objects with neo-Gothic. And the background for [&#8230;]]]></description>
		<wfw:commentRss>http://www.lafrimeuse.com/en/five-design-things-of-this-week-19/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>David Hockney&#8217;s rare painting &#8220;Nicolas Canion&#8221; will be exposed for selling $ 35 million</title>
		<link>http://www.lafrimeuse.com/en/david-hockneys-rare-painting-nicolas-canion-will-be-exposed-for-selling-35-million/</link>
		<comments>http://www.lafrimeuse.com/en/david-hockneys-rare-painting-nicolas-canion-will-be-exposed-for-selling-35-million/#comments</comments>
		<pubDate>Thu, 29 Oct 2020 10:59:15 +0000</pubDate>
		<dc:creator><![CDATA[Katrina Wietwi (Mungalova)]]></dc:creator>
				<category><![CDATA[art news]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[arthistory]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[artjournal]]></category>
		<category><![CDATA[auction]]></category>
		<category><![CDATA[contemporary art]]></category>
		<category><![CDATA[David Hockney]]></category>
		<category><![CDATA[ekaterinamoong]]></category>
		<category><![CDATA[history of art]]></category>
		<category><![CDATA[lafrimeuse]]></category>
		<category><![CDATA[landscape]]></category>
		<category><![CDATA[Nichols Canyon]]></category>
		<category><![CDATA[onlinemagazinelafrimeuse]]></category>
		<category><![CDATA[painter]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[Phillips]]></category>

		<guid isPermaLink="false">http://www.lafrimeuse.com/?p=8679</guid>
		<description><![CDATA[David Hockney, Nichols Canyon, 1980, photo artsy.net David Hockney&#8217;s 1980 Nichols Canyon Landscape will go on sale at the next Phillips Evening Sale on December 7. The painting is valued at around $ 35 million, according to a press release from Phillips, and is touted as &#8220;by far an artist&#8217;s most important landscape in a [&#8230;]]]></description>
		<wfw:commentRss>http://www.lafrimeuse.com/en/david-hockneys-rare-painting-nicolas-canion-will-be-exposed-for-selling-35-million/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The brilliant epoch.  Jewelry art of the XVIII century.  Part I</title>
		<link>http://www.lafrimeuse.com/en/the-brilliant-epoch-jewelry-art-of-the-xviii-century-part-i/</link>
		<comments>http://www.lafrimeuse.com/en/the-brilliant-epoch-jewelry-art-of-the-xviii-century-part-i/#comments</comments>
		<pubDate>Sun, 12 Apr 2020 16:07:40 +0000</pubDate>
		<dc:creator><![CDATA[Katrina Wietwi (Mungalova)]]></dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[art history]]></category>
		<category><![CDATA[arthistory]]></category>
		<category><![CDATA[cut]]></category>
		<category><![CDATA[cutter]]></category>
		<category><![CDATA[diamond]]></category>
		<category><![CDATA[diamondsfield]]></category>
		<category><![CDATA[history of art]]></category>
		<category><![CDATA[history of jewellery]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[inspirations]]></category>
		<category><![CDATA[jewellery]]></category>
		<category><![CDATA[lafrimeuse]]></category>
		<category><![CDATA[Masterpiece]]></category>
		<category><![CDATA[onlinemagazinelafrimeuse]]></category>
		<category><![CDATA[Peruzzi]]></category>

		<guid isPermaLink="false">http://www.lafrimeuse.com/?p=8265</guid>
		<description><![CDATA[When is there the light of hundreds of candles, diamonds flash, rubies and spinels gently flicker, sapphires and emeralds contrast with them with the cold brilliance. The precious stones, skillfully inserted into gold and silver, like the stars, sometimes the whole constellations shimmer on the surfaces of heavy silk, rich velvet and finest lace. &#160; [&#8230;]]]></description>
		<wfw:commentRss>http://www.lafrimeuse.com/en/the-brilliant-epoch-jewelry-art-of-the-xviii-century-part-i/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ford vs Ferrari. Review of the film</title>
		<link>http://www.lafrimeuse.com/en/ford-vs-ferrari-review-of-the-film/</link>
		<comments>http://www.lafrimeuse.com/en/ford-vs-ferrari-review-of-the-film/#comments</comments>
		<pubDate>Sun, 01 Dec 2019 13:02:29 +0000</pubDate>
		<dc:creator><![CDATA[Greg Arszanski]]></dc:creator>
				<category><![CDATA[inspirations]]></category>
		<category><![CDATA[artjournal]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[ferrari]]></category>
		<category><![CDATA[ford]]></category>
		<category><![CDATA[fordvsferrari]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Ken Miles]]></category>
		<category><![CDATA[lafrimeuse]]></category>
		<category><![CDATA[onlinemagazinelafrimeuse]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[reviewoffilm]]></category>
		<category><![CDATA[Shelby]]></category>

		<guid isPermaLink="false">http://www.lafrimeuse.com/?p=8550</guid>
		<description><![CDATA[&#160; Ford vs Ferrari, the film based on real events with real characters, primarily about human nature, about the destruction of hope, about a newfound dream, about disappointment, about love, friendship, about big ambitions, about potentially  vulnerable vanities, bloated vanity, which gave the course of this story. The plot is based on how one insulted [&#8230;]]]></description>
		<wfw:commentRss>http://www.lafrimeuse.com/en/ford-vs-ferrari-review-of-the-film/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Photographer Atom: “Please think  about happiness for you”</title>
		<link>http://www.lafrimeuse.com/en/photographer-atom-please-think-about-happiness-for-you/</link>
		<comments>http://www.lafrimeuse.com/en/photographer-atom-please-think-about-happiness-for-you/#comments</comments>
		<pubDate>Sun, 30 Jun 2019 09:15:04 +0000</pubDate>
		<dc:creator><![CDATA[Greg Arszanski]]></dc:creator>
				<category><![CDATA[inspirations]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[artjournal]]></category>
		<category><![CDATA[Atom]]></category>
		<category><![CDATA[conception]]></category>
		<category><![CDATA[contemporary art]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[Earth]]></category>
		<category><![CDATA[image]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Japanese photographer]]></category>
		<category><![CDATA[Japon]]></category>
		<category><![CDATA[lafrimeuse]]></category>
		<category><![CDATA[lifestyle]]></category>
		<category><![CDATA[onlinemagazinelafrimeuse]]></category>
		<category><![CDATA[photo]]></category>
		<category><![CDATA[photograph]]></category>
		<category><![CDATA[thought.]]></category>

		<guid isPermaLink="false">http://www.lafrimeuse.com/?p=8369</guid>
		<description><![CDATA[Every true artist, creator, no matter in what area, always has an idea, and his message.  Without a concept, there is no art, without it, it is just a craft or meaningless performance.  A Japanese photographer working under the pseudonym Atom  (1980, based in Tokyo ) invites the viewer to look at our planet, at the world [&#8230;]]]></description>
		<wfw:commentRss>http://www.lafrimeuse.com/en/photographer-atom-please-think-about-happiness-for-you/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
